The last friday 7 of June, Flamenco Cycle Bilbao BBK closed its edition 2019 with a performance, or approximation of what is “Fiesta Flamenca” in which a group of oficiantes, Antonio led by the Marsellés, They approached the local public to what is an authentic flamenco party. To this end he met an exceptional artistic cast in which they tried to maintain a balance between youth and veteran of the contemporary flamenco: Perico Draper, Juanfran Carrasco, Gema Moneo, Ruben Lara, José de Pura, José Lerida and Paco Vega.
Triana party. The planet, grabbed his legendary patina down her crippled its mesh fabric, The Fillo protects the eyes of Arrabal medium. They sing, quake, percuten the strings of the vihuela as if the night is not never find an end. Serafin Estebanez Calderon is watching everything. His pen, burning to tell the tale. Ink runs through the pages of his "Andaluzas Scenes". The Flemish words and partied together once more appear. Communion goes beyond the appointment of Scaffold in his "Letters Marruecas". From this moment we can speak of a word: symbiosis. And until today.
Learning and transmission of flamenco has been strongly linked to the domestic sphere. Houses, patios and corrals were neighbors for years its space development. By then, flamenco meet basic social function: serve as fun and release their officiating staff. From the proto-addled narrated by romantic travelers, the parties reserved, rooms, tablaos and trade show booths, until zambombas, processions and rites of passage -pedimentos, weddings and christenings- They have been several very different fields that flamenco has been used as a vehicle for expression on his side of use.
Along the history, There are many stories that speak of a meeting type, party or spree, to which commonly known by the name of party right mind clear reference to the group who has access to them. For the flamenco jargon, It is full every fan that to which he is publicly acknowledged a certain degree of knowledge of flamenco, Apart from a certain aesthetic and behavior.
Ultimately, The holidays are models of society: symbolic representations of social relations, but also are a model to express, without fear of reprisal, society to be. Hence the party time is a "time out of time", or a sort of parenthesis within what we call everyday life. So do not forget that since that party Planeta and El Fillo the past two centuries have. Two hundred years. Time machine spits out his arguments: habits change, people spend and flamenco party is reinterpreted in the hands of future generations. But one thing remains clear: any past was not better. just different.
NOTE: The artistic cast will always be different, to save fi delity with the reality of this fl fi amenca.Ya that no two fi these equal or involving the same artists and o fi ciantes. Why it is required for developing a space where artists and audiences are at the same level and there is no traditional stage separation stage and public. If you can perform a series of performances should ideally form several different troupes to present several different proposals fi this, clearly differentiated well under geographical co fi or any other artistic criteria.
SING / Perico Draper – Juanfran Carrasco – José Lerida – the Marsellés
GUITAR / Ruben Lara – José de Pura
HOME / Gema Moneo – Paco Vega